Roger Linn and the MPC groove myth.

Another one from the archives. Since the release of the MPC-60 in 1988 there have always been rumours about some internal magic feel programmed into the heart of all MPCs thus making them ‘feel’ more musical than playing back real-time MIDI in a DAW environment. The man himself sets the record straight.

Roger Linn MPC and Timinghttp://www.attackmagazine.com/features/interview/roger-linn-swing-groove-magic-mpc-timing/

https://en.wikipedia.org/wiki/Akai_MPC60

MPC-60

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Latency and Feel

Just going back through the archives to extract some useful information for those interested. This relates specifically to digital recording consoles with regards to cue monitoring issues in a digital environment. Track forward to 2016 and the exact same issues still apply to the modern DAW platform with real-time external digital signal processing, active plugin delay compensation, audio interface latency and buffer size, external sequencer tempo-synchronisation, real-time MIDI event delay and external MIDI hardware processing latency.
John Klett Research Paper Excerpt

http://www.technicalaudio.com/reading/digitalconsoledelay.html

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Sync-Gen II Software Authorization

Authorization Serial Number

http://innerclocksystems.com/New%20ICS%20Downloads.html

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Thank You

Thank U 634

http://innerclocksystems.com/New%20ICS%20Shop%20Online%20Page.html

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Metamorphose

Innerclock Metamorphose

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Roland TR-77 Litmus Test

Roland TR-77 Blog

https://en.wikipedia.org/wiki/Roland_Rhythm_77

> Audio Out – Max. Jitter between Steps: 54 samples (1.10ms)

Source: DC Clock (12PPQ) – Sync-Gen II

> Audio Out – Max. Jitter between Steps: Zero samples (0.00ms)

http://www.innerclocksystems.com/new%20ics%20litmus.html

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Bad Sync

Bad Sync 101

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Eggs and EGs this morning…….

MEGs 634

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Coffee and Clocks for Breakfast

Coffee and Clocks 634

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Back to the lab…….

Lab WIP 634

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